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EXHIBITS
David Dunlop Shows
APRIL 8, 2010
OPENING
RECEPTION 6:00 -9:00PM
Group Show - April 8 through May 8, 2010
The Pennington Gallery |
355 W. Broadway New York, New York | 239-263-8008 | www.thepenningtongallery.com
March 5, 2010 NEW WORKS BY DAVID DUNLOP
OPENING
RECEPTION 5:30 - 7:30PM
The Weatherburn Gallery | 452 Bayfront Place, Naples, FL 34102 | 239-263-8008 | www.weatherburn.com
May 6, 2010 OPENING RECEPTION 6:00 - 9:00PM
Solo Show “Oil Paintings on 23K Gold Leaf, Aluminum, Steel & Copper”
May 8, 2010 GALLERY TALK, Saturday, , 1 pm
Attic Gallery | 206 SW First Avenue, Portland, OR 97204 | 503-228-7830 www.atticgallery.com
June 11, 2010 GROUP SHOW
OPENING
RECEPTION 5:30 - 7:30PM
Lockwood-Mathews Mansion Museum |
295 West Avenue, Norwalk, CT 06850 | www.lockwoodmathewsmansion.com |
203-838-9799
June 18, 2010, OPENING 6 to 8 pm
Solo Show, “New York City and Connecticut Scenes,”
Susan Powell Fine Arts |
679 Boston Post Road Madison CT 06443-3080 | www.susanpowellfineart.com | 203-318-0616
ARTIST TOURS WITH DAVID DUNLOP
Paint the Fabled Landscape of Tuscany
with David Dunlop
Monday, August 16 to Sunday, August 22, 2010 | $3,500
Silvermine Art Guild |
1037 Silvermine Road, New Canaan, CT 06840 | 203-966-6668 ext. 2
Fee: $10 Course Code: TBA www.silvermineart.org
Join Silvermine for a Tuscan painting adventure featuring the famous countryside and the city of Florence with Emmy Award-winning instructor David Dunlop!
We’ll be staying in a country estate house located in the heart of the Chianti wine-growing area, just 20 minutes outside of Florence. The Renaissance villa, called Villa Il Poggiale, has been entirely renovated. Your elegant room will have a private bathroom, air-conditioning, mini-bar, telephone, satellite color television, internet wireless, a safe, and tea and coffee-making facilities. There is a pool in the terraced gardens looking out over the countryside. A wellness center is available. Access www.villailpoggiale.com to see for yourself.
No Tuscan experience would be complete without Tuscan food. The villa boasts a fine restaurant where we will linger over many meals. Breakfast daily is also included as well as lunches when we are at the villa.
David will be starting painting days with a demonstration and will be there to work with you as you create. He will also lead photo walks so that you can go home with a treasure-trove of images to work from.
Several days we will travel the short distance into Florence to visit its famous museums and art sites with David as your guide.
Pick up and return to Florence airport, within a reasonable time period,
are included.
To sign up for this fabulous trip, contact The Silvermine School of Art at
school@silvermineart.org, 203 966 6668 x2 or go to www.silvermineart.org.
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LECTURES
Art and Science: Cross Breeding Ideas and Techniques
February 21, 2010 | Sunday | 4:00pm
Silvermine Art Guild |
1037 Silvermine Road, New Canaan, CT 06840 | 203-966-6668 ext. 2 | www.silvermineart.org
Fee: $10 Course Code: TBA
How do artists and scientists influence one another? Here is an exploration as presented by David of how artists adopt technologies, philosophies and discoveries from science. How have art and science opened new channels for exploration, offered new tools for broadened perception and sensation?
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The Psychology of Perception (Vision): How You Really See
March 4, 2010 | Thursday | 5:00pm
The Weatherburn Gallery | 452 Bayfront Place, Naples, FL 34102 | 239-263-8008 www.weatherburn.com
Painting in the Fourth Dimension: Can a Picture Slow Down and Taste Salty?
March 21, 2010 | Sunday | 4:00pm
Silvermine Art Guild | 1037 Silvermine Road, New Canaan, CT 06840 | 203-966-6668 ext. 2 Fee: $10 Course Code: TBA
www.silvermineart.org
Time and motion... how are they understood? How are they expressed in art? Where do our ideas of time and motion come from? Can photography, sculpture and painting be experienced as music, as movies, as touch and taste? David will lead a discussion on these questions as well as how past artists conveyed the sensation of time and how will future artists present it in light of new discoveries in neuroscience and philosophy.
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The Psychology of Perception (Vision): How You Really See
May 8, 2010 Lecture 1pm Attic Gallery | 206 SW First Avenue, Portland, OR 97204 | 503-228-7830 www.atticgallery.com
WORKSHOPS
Everything You Always wanted to Know about Perspective Workshop
January 23, 2010 | Saturday | 10:00 - 3:00pm for One Day
Silvermine Art Guild | 1037 Silvermine Road, New Canaan, CT 06840 | 203-966-6668 ext. 2
Fee: $135 | Course Code: DDSAT10AM012310
www.silvermineart.org
How to use all the basics of linear perspective: single point and multiple point systems as practiced in the Renaissance. Learn how to make buildings, fields, people, interiors, roads, and floors move through space. Turn a road, make it rise and fall. Place everyone and everything in space. Learn the history and traditional uses of perspective. Learn how it was invented and what devices can help you. Work along with your instructor. You will come away understanding all the basics. Demonstrations show how the masters used perspective their paintings.
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New Horizons and Old Traditions in Landscape Painting
March 22-26, 2010 | Monday - Friday | 10:00 - 3:00pm for Five Days
Silvermine Art Guild | 1037 Silvermine Road, New Canaan, CT 06840 | 203-966-6668 ext. 2
Fee: $600 | Course Code: DDMON10AM032210
Learn techniques and traditions of "Old Master" landscape painters from Rembrandt to Turner, Claude Lorrain to the American Hudson River Painters, from Constable to Monet. The workshop will cover the ideas, techniques and new materials of Contemporary landscape painters. For example, there will be demonstrations of the Dutch 17th Century painters that will cover their compositional ideas and their techniques for luminous translucence in oils. With the French Impressionists the demonstrations will show their palette choices, their brushstrokes, their compositions and their color theories of simultaneous and successive contrast. The demonstration of the Hudson river painters will trace their European influences, drawing and design systems as well as oil sketching techniques.
We will conclude with contemporary currents in landscapes painting including new materials and media. The workshop will cover centuries of historic techniques (lost systems in watercolor and oil) through daily lecture-demonstrations followed by personal attention and counsel.
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Painting Water: From Wet to River, Stream to Street Puddle
May 15, 2010 |
Saturday | 10:00 - 3:00pm for One Day
Silvermine Art Guild | 1037 Silvermine Road, New Canaan, CT 06840 | 203-966-6668 ext. 2
Fee: $120 | Course Code: DDSAT10AM051510
Here are demonstrations in watercolor, acrylic and oil creating the effects of light upon, through and reflected by water. Learn how to achieve the sensation of transparency, translucence and opaque watery mystery. Learn how to create reflections, broken, in motion, static, vivid and distant. Learn how to evoke conditions of wet silvery motions, tumbling aerated water, frothing splashes, shadowed and sun pierced pools, undulating wave patterns, quiet ponds supporting floating leaves, interpenetrating sticks and rocks, and how to evoke the feeling of simultaneous reflections and transparency. Learn how historic and contemporary artists from ancient Persians to 19th century landscapists’ photo realists painted water, lakes, rivers, streams, streets, in droplets, and on wet surfaces. Learn how to make color and value shift beneath water.
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The Complete Color Workshop
June 5, 2010 |
Saturday | 10:00 - 3:00pm for One Day
Silvermine Art Guild | 1037 Silvermine Road, New Canaan, CT 06840 | 203-966-6668 ext. 2
Fee: $120 | Course Code: DDSAT10AM050110
How the eye perceives color and the brain recognizes color and creates meaning; color forecasting, color mixing; how to build luminous color, sparkling color, successive contrast, simultaneous contrast, historic color in divergent cultures; intrinsic memory color; finding equivalents between value and color, historic and contemporary science in color theory, the color systems of Renaissance, Impressionist, Persian, ancient Chinese, Photorealist and contemporary chromatic artists, Rembrandt’s palette, Turner’s palette, Monet’s palette, translucent and opaque painting with color; differing coloring properties of your paints, effect of light transferred to paint (halation, auras, fading, vibrating, heating, cooling, transparency, mirroring, silvering); shot colors, interference colors, electric colors and how to create and use them . This workshop explains and demonstrates 2000 years of color practice. Mediums that will be discussed will be oil, watercolor and acrylic paints.
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On Location with Past Masters (Oil, Acrylic and Watercolor)
June 20-26, 2010 | Monday - Friday | 9:30 - 4:30pm for Four Days
HUDSON RIVER VALLEY WORKSHOPS | PO Box 659 - Greenville, NY 12083 | (518) 966-5219 - Fax: (518) 966-8754 Toll Free: (888) 665-0044 E-mail: info@artworkshops.com Fee: $610
You will paint on location at Waterfalls, pastoral valleys, streams, gardens and Hudson Valley vistas. The locations are the same as those selected by historic Hudson River artists, like Thomas Cole and Frederick Church. David Dunlop will demonstrate their drawing, oil and watercolor sketching techniques and, their oil finish techniques on their exact historic sites. He will recreate their historic palettes and ideas of composition. In this week David will also demonstrate the plein air techniques and color formulations of the Impressionists specifically, the methods of Claude Monet’s water and garden paintings. David will also show you how to recreate the Hudson River and Impressionist techniques in acrylic and watercolor as well as Impressionist techniques in pastel. Finally, David will show you how take contemporary liberties with these historic lessons to help you invent new directions for your painting.
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Painting on Location in Oil, Acrylic and Watercolor
August 3-6, 2010 | Tuesday - Friday | 9:30 - 4:30pm for Four Days
Southern Vermont Arts Center | PO Box 617, Manchester, VT 05254 | (802) 802-362-1405, Ext. 22, Contact. Jackie or Robyn | E-mail: info@svac.orgFee: $650 SVAC members, $675 non-members
Learn techniques and traditions of "Old Master" landscape painters from Rembrandt to Turner, Claude Lorrain to the American Hudson River Painters, from Constable to Monet. The workshop will cover the ideas, techniques and new materials of Contemporary landscape painters. For example, there will be demonstrations of the Dutch 17th Century painters that will cover their compositional ideas and their techniques for luminous translucence in oils. With the French Impressionists the demonstrations will show their palette choices, their brushstrokes, their compositions and their color theories of simultaneous and successive contrast. The demonstration of the Hudson river painters will trace their European influences, drawing and design systems as well as oil sketching techniques.
We will conclude with contemporary currents in landscapes painting including new materials and media. The workshop will cover centuries of historic techniques (lost systems in watercolor and oil) through daily lecture-demonstrations followed by personal attention and counsel.
MORE INFORMATION
Workshop - More Information Soon
Shelburne Museum, P.O. Box 10, Shelburne, VT 05482, 802-985-3346, www.shelburnemuseum.org, info@shelburnemuseum.org, Sun.,September 19 to Fri., September 26, 2010
CLASSES
How To Paint a Really Good Landscape - Beginning and Intermediate
January 12, 2010 | Tuesday | 9:30am-12:30pm for 12 Weeks
Silvermine Art Guild | 1037 Silvermine Road, New Canaan, CT 06840 | 203-966-6668 ext. 2
Fee: $435 | Course Code: DDTUE930AM011210
Classical traditions and modern methods will be presented through demonstrations and hands-on instruction. How to build effective designs, sketches, color, values, perspective, textures, brushwork and learning from the masters (Da Vinci to Monet) are all part of this course. Demonstrations and illustrated lectures include techniques and ideas of the great masters in watercolor, oil, acrylic, photo-media and pastel. Subjects range from exacting representation to abstraction, from interiors to exteriors, urban to rural, seaside to farm and all forms of weather. Personal consultation in each class to help you realize your ambitions.
MORE INFORMATION | SUPPLY LIST
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