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City Perspectives

posted in: Painting | 5

Merge linear perspective to atmospheric perspective for an emotionally persuasive experience. Why? Because linear perspective’s feeling for measurable depth coupled to atmospheric perspective’s sensation of indefinite space will stimulate an emotion of space, movement and infinity. This brief post plans … Continued

Light Waves

posted in: Painting | 6

Isaac Newton puzzled over light’s substance. Was it composed of particles (photons) or waves? In the 19th century scientists like Mathew Young determined light was composed of both, particles and waves. Our eyes receive light as electromagnetic touches which are … Continued

Oceanic Vessels

posted in: Painting | 3

As a child I watched as Jacques Cousteau discovered ancient amphora on the seafloor of the Mediterranean. I would imagine their history, their shipwreck, their spoiled contents, and the slow corrosive work of the sea on their aging appearance. Cousteau … Continued

Ancient Vessels

posted in: Painting | 7

Returning to ancient sources offers opportunities for re-invention and discovery. The enigmatic imagery and classical forms of ancient civilizations tantalize with their indecipherable mysteries.  Borrowing two thousand year old shapes and merging them with contemporary landscape images took art history … Continued

The Cat’s Tail, and Other Abstractions

posted in: Painting | 5

In early childhood we learn to attach words to pictures. In later adulthood we continue to conceive of images through schematic pictographs whether we are photographing, sketching, doodling or painting.  Examining how we begin and advance this process allows me … Continued

Spring from History

posted in: Painting | 0

Our brains have acquired models for spring; for art in spring, for gardens in spring, for poetry in spring. When making pictures these models have plasticity. If you are well versed in art history, you may fuse your knowledge with … Continued