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Cutting the Light

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Sequencing empty or negative shapes can be used to create space and rhythms such as a circling pattern around an ancient Greek bowl.  2500 years ago Greek artists appreciated defining forms with negative and positive shapes.  When the artist arranged … Continued

Sunlight and Atmosphere

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In the 1600s Claude Lorraine experiments with light, atmosphere and distance. He observes that foreground information can be tucked into shadows with deep darks broken by a few sharp light edges. He further concludes that a feeling of great distance … Continued

Overlapping Rhythms

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We cannot ignore the small flicker of a candle in a darkened room or the motions of a distant headlights in the night. Small light shapes pop against darkened backgrounds. They are the break-spots, the anomalies that steal all our … Continued

The Flying Triangle

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Ancient Cuneiform depended the incisions of little “v” corners, modified triangles pressed into clay.  In art the triangle is fundamental.  It can be foreshortened, extended, overlapped, made to appear ascending or descending or turning.  Example one presents a series of … Continued

Beneath The Surface

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Using older paintings or photographs as substrates for later over-painting offers the artist a grab-bag of surprises. Because water’s translucence automatically provides the feeling of an inscrutably mysterious and enigmatic world just out of reach of easy legibility it is … Continued

Rotation, Contours and Space

posted in: Painting | 6

“One realizes that symmetry and consistency, whatever their merits are the enemy of movement” said Kenneth Clark in his BBC series, “Civilization”.  But, just avoiding symmetry and consistency does not evoke a feeling of movement.  Using the diagram in example … Continued