Van Gogh’s Brush
Here’s how a connoisseur or a conservator would look at a Van Gogh. The painting is Van Gogh’s from 1889 during his stay in San Remy, Provence in the hospital of St Paul de Mausole. Van Gogh was allowed … Continued
Here’s how a connoisseur or a conservator would look at a Van Gogh. The painting is Van Gogh’s from 1889 during his stay in San Remy, Provence in the hospital of St Paul de Mausole. Van Gogh was allowed … Continued
When John Ruskin outlined the Renaissance principles of composition, the principle of radiation was a fundamental pattern. The idea of the radial burst or sunburst (sometimes referred to as the web-in-spokes) is ancient, not only pan historic but also pan … Continued
Recently, I wrote you about achieving depth through layers with architectural images (pics in the Met Museum, see a previous blog). I showed you a sequence of images being layered to create a feeling of more motion and space. This … Continued
Maybe this has happened to you. You’re sitting in a train looking out the window at an adjacent train on an adjacent track. It’s very close to you. One of the two trains slowly starts to move. Is your train … Continued
Da Vinci was one of the earliest artists to observe that we scan from one focal point to another searching for confirming information, that we connect a path of focus points into a stream which both constructs and anticipates information. … Continued
(example 1, the underpainting). Underpaintings are often referred to as the early stage in which an artist loosely blocks in the values, shapes and some texture information. Later color will be added opaquely or as a glaze tint to the underpainting … Continued