Discovery Through Novelty

posted in: Painting | 3

        I previously referred to Picasso’s remark “I don’t seek, I find.” Our readiness to notice anomalies in our field of vision and our lives enhances our experience of the ordinary. We begin to think about things … Continued

Chiaroscuro

posted in: Painting | 3

Chiaro (clear light) and scuro (dark, from which we get the verb “to obscure”).  Leonardo da Vinci perfected many ideas for transferring visual experience onto a two dimensional surface and Chiaroscuro was one of his finest. Caravaggio, Rembrandt and Turner … Continued

Luminosity Vs. Sparkle

posted in: Painting | 2

     If you want the eyes to twinkle, the fruit to gleam, the bottle to shine, then follow Rembrandt’s example. Look at the hilt of his cane. It sparkles. Its sparkle follows a formula; any small area of light … Continued

Luminous Skies

posted in: Painting | 2

Back in the 1920s the Bauhaus artists like Johannes Itten and later followers like Faber Birren tried to quantify a recipe for luminosity. Birren would eventually describe the condition in his book ” Principles of Color” as the result of … Continued

The Principle of Interchange

posted in: Painting | 2

In the 19th century many scholars studied the Renaissance to learn painters’ secrets, techniques and principles. Notable among them were Sir Charles Eastlake with his book on the “Methods and materials of Painting of the Great Schools and Masters” first … Continued

Cezanne and The Photograph

posted in: Painting | 1

    Cezanne aspired to reconcile the experience of biological vision with the traditions of art history (that is the historical forms and iconology of  studio painting).  He intended to put that reconciliation on canvas.  He aimed for the compositional unity … Continued