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The ancient Roman architect, Vitruvius explained there were four orders of architecture, four types of columns in his opus De Architectura. His ideas still circulate in architecture today. But, his notion of capitals on columns is a reductionist idea. If … Continued
In the multi millennial pursuit of representing our world in 2 dimensions we have devised mathematical formulas like Euclid’s theorems on perspective and Brunelleschi’s demonstrations of linear perspective. We have used mirrors, viewing windows subdivided with a cross grid of … Continued
In the 1400’s we find artists experimenting with translucent water effects. A few unpersuasive noble attempts show a bare foot semi-submerged in clear water. The surface of water is indicated with only a few strands of wavy light pigment. We … Continued
By the mid 19th century plein air landscape painting was well established by pioneering landscape artists like Corot, Michallon, Millet, Daubigny, among many. They brought plein air oil sketch effects into the studio and applied them to larger exhibition works. … Continued
Across time and the globe when making pictures artists have considered where to place the light. This isn’t only because the light attracts our maximal attention, nor only because it offers a goal, a destination for our mind’s eye, but … Continued
Intimacy implies proximity in relationships. A sense of private confidentiality thrives in intimate relationships. Building an intimate relationship with nature can begin by getting close to your subject. In the 18th and 19th century landscape painters found intimacy with nature … Continued